By Willie Drennan
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| Artwork: Caroline Drennan |
Britannia once ruled the waves.
Today marauding globalist invaders freely plunder our shores, rivers and streams - right to the heart of Britannia's realm.
The Republic of Ireland was once a Free State.
It is now a vassal state of the Global Deep State.
Whatever happened to this famous Lambeg drum that once belonged to Kate Bush?
Last night I was invited to appear on BBC's Good Morning Ulster - scheduled for 8.50 am this morning.
I agreed to talk on BBC's radio show this morning as I was intrigued by the story. It was about the story that Kate Bush had purchased a Lambeg Drum from William Hewitt of Sandy Row, Belfast. She wanted one of the “huge drums” that she had seen on TV for her songs, 'Running Up That Hill' and 'Cloudbusting' on her 1985 album, 'Hounds of Love'.
Unfortunately Radio Ulster just gave me a very short time to speak before I was interrupted by announcement of 'The Nolan Show'. - whoever Nolan is. They didn't give me a chance to say what I had prepared to say. So I'm putting it down here instead.
The story of how Kate Bush, from Kent, came to purchase a Lambeg Drum from Billy Hewitt of Sandy Row, is brilliantly told, perhaps with some artistic embellishment, by Stuart Bailie and Mike Edgar on a YouTube video produced by the Oh Yeah Centre.
https://www.youtube.com/watch?v=fyf_EyFej8I
A couple of things stood out for me on the video that I watched last night. The first was that Billy Hewitt of Sandy Row didn't know who the famous Kate Bush from Kent was, and Kate Bush from Kent didn't who the famous drum-making Hewitts of Sandy Row were. Kate also didn't know the name of the 'huge drum' that she had spotted on video.
These are important details as I suspect there was a huge breakdown of communication due to the cultural differences.
The other wee detail that stood out to me on the video was that when Billy Hewitt was speaking to Mike Edgar, who was negotiating the making of the drum for Kate Bush's management team, he referred to Kate Bush as 'the wee girl Kate who wanted the Lambeg'.
This is relevant because I am questioning if Kate did actually purchase a real full-size Lambeg drum. And if she did purchase a real Lambeg was it used for the recording or in any live stage performances?
I was living in Canada in 1985 and wasn't aware of the Kate Bush Lambeg story at that time. But over the years several people mentioned the story to me. Each time I heard the story I wondered what happened to the famous Lambeg drum owned by Kate Bush? In the same vein as Lambegs owned by famous Lambeg drummers, or famous drums that had repeatedly won drumming matches at Markethill or Ahoghill, I reckoned this drum would be worth a lot of money. It was all very mysterious how it seemed to have vanished into obscurity.
The fact is that a real full-sized Lambeg drum is about 3 foot one and a half inches in diameter, just over two foot wide and weighs about 40lbs. I've no idea about what the equivalent of those measurements are in the metric system used by some folk today – but in short: the Lambeg drum is very big, very heavy and very loud.
In the video, when Billy referred to Kate as the Wee Girl Kate, it is assumed that he was talking 1980's Northern Ireland lingo when it was still politically correct to refer to a young woman in her late teens or early 20's as a wee girl. But, I suspect Billy actually did believe he was making a very small drum that would be suitable for a young teenager.
The reason I came to questioning the size of the Lambeg also relates to me finally getting around to watching 1985 videos of Kate Bush singing 'Running Up That Hill'. I have to assume it was the original recording that was used and I couldn't hear familiar sounds of a Lambeg drum - as I know it.
This is best link I could find to a live performance of the song
https://www.youtube.com/watch?v=puzGZ25dbDc
There a single rope drum played on stage and there are white fluffy cloud-like shapes painted on the drum. Could this be the drum made in the drum shop on Sandy Row for Kate? It is played in upright position like a classic rope drum with regular drum sticks. The Lambeg drum is played with hard but flexible canes. The canes are beaten sideways and they are a major factor in the distinct Lambeg sound.
Kate Bush's song, performance and production are all of the highest excellence. All I am saying is that I could not hear distinctive Lambeg tones, rolls or patterns of rhythm. The musical piec is powerful enough without a Lambeg.
The reason why this story is coming to light again, just now, is apparently because Kate Bush's 'Running Up That Hill' features in a currently popular Netflix series.
I don't want to throw a spanner in the works and I am definitely not the sort of person who would normally allow the truth to get in the way of a good story – and this is a good story.. I am coming to think that there is an even bigger story here though.
I think there there is opportunity here for the BBC to get into some real investigative journalism, just like it used to back in the good old days, and find out what ever happened to the famous Kate Bush Lambeg drum - if indeed there ever was a real one. Video footage, or even a photo, would be helpful in getting to the truth
Some folk might say, “why would anyone care”? Fair enough. I'm sure Kate Bush doesn't care. I care however because BBC asked me to comment and didn't allow me time to say what I needed to say on the topic.
Dear candidates.
I have a few questions for the candidates and their parties, in advance of the upcoming Stormont elections. This will help me decide who gets my number one vote and who doesn't get a tick at all on my voter card.
Simple YES or NO answers are all that's required.
I accept that I am just one single non-politically aligned individual but I will share the responses from candidates and parties on social media. So it won't be a total waste of your time.
For those who fail to respond, fair enough. I will just assume that you would have answered YES to all questions.
The questions:
1/ Do you support the agenda of the World Economic Forum and are you affiliated in any way?
By Willie Drennan
It is time for the people of Northern Ireland who are opposed to the anti-democratic NIProtocol to join the dots and make the direct connection with the past two years of global lockdowns and mandates.
It is time to acknowledge that the agendas of global mandates/lockdowns and the NI Protocol have been driven by the same cabal of billionaires in their insatiable lust for even more power, and in their insatiable greed for even more wealth.
It is time to acknowledge that the governments of the world have been infiltrated by the World Economic Forum. The European Union and its commissioners are joined at the hip with the WEF, the United Nations and with those at the very top of the global pyramid of power.
It is time for the people of the world to understand that the agendas of the WEF, UN, the World Bank and the Global Media etc - are not conspiracy theories.
Klaus Schwab of the WEF has boasted that their Young Global Leaders have “penetrated the cabinets of the world”. Justin Trudeau gets an extra honourable mention but none of the major countries of the world have been excluded.
By Willie Drennan
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| Neil Young: Rockin' In The Free World. |
Where have all the hippies gone? Where have all the cultural revolutionaries gone? Where have all the old rockers gone? - when you need them. Who now owns Yasgur's Farm? Who now owns the garden?
In the 60's and 70's a Counter Culture Movement of musicians, songwriters, poets, playwrights, novelists, creative journalists (in a free press), painters, film-makers, composers and choreographers etc challenged a global establishment steeped in lust for power and abuse of power.
A generation of young people, born during a world war and a holocaust, or shortly after, caused a pivotal moment in the consciousness of humanity.
They challenged the new masters of war. They railed against the elitist want-to-be rulers of the world who endeavored to conscript and coerce the common people into obedience and compliance. They campaigned for the rights, freedoms and equal opportunities for all peoples: regardless of financial status, colour or creed.
It was a revolution. A peaceful revolution. The revolutionaries and the rockers won.
The mood and the scale of this cultural revolution was well encapsulated by the creatives of the era. One of Canadian Joni Mitchell's songs beautifully captured the new surge of hope for humanity that was Woodstock. (1969)
